University of Texas exhibit - 26 tines
Saturday begins the second University of Texas event. The first was about four months ago and was part of Yoko Ono coming into Second Life to open her Imagine peace tower. Yes Yoko Ono is in sl. And yes her avatar looks like herself.
Above is the machinima for my University of Texas build. Its a cam build so you will need to use the ctrl alt left mouse button to find your way around, and unlike other builds they asked for a notecard explaination for the piece.. soooo if you are interested to see how my mind works when I build, then read the notecard. Hope you can come see... below is the official press release.
FULL-SIM ART EXHIBIT EXPLORES OUR HUMANITY ON THE UNIVERSITY OF TEXAS SIM
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SATURDAY
FEBRUARY 27, 2010
11am - 1pm - SLT
Humanity - Humane
The ArtSpace at the University of Texas San Antonio opens the much aniticipated new full-sim art exhibit that explores, through creative expression, the state of our Humanity.
14 of SL's most exciting artists have have contributed their works to this important exhibit. We cannot say enough about their talents and gifts and they honor the University with their work.
The exhibit will show at UTSA for several weeks but you will not want to miss the opening! You will have an opportunity to meet and speak with the artists, we will have plenty of original guest gifts, live music, and a great crowd of art lovers and enthusiasts!
JOIN US!
http://slurl.com/secondlife/UTSA%20Roadrunner%20II/190/31/28
Comments
the technique which forces the viewer to cam in to the build increases immersion. It detaches us from our avatars and friends and chat and IMs and sends us in to a small hole where we have to concentrate on maneuvering or we can slip and cam out.The radio and bugs I've seen and Vera Lynn was a nice surprise but the notecard was a gift. It seems really important to me lately to hear what the artist was thinking and what each element represents. its a myth that the art should always speak for itself. I've been trying to get the artists at BiW to come and explain their art in video podcasts lately and it is so much richer than listening to a critic trying to figure it out and surmising and projecting all their stuff on the art.
thanks for another great piece of art Byrn
the emotional resonance you seem to imbue effortlessly is whats missing from a great percentage of SL art. Now how do you get the cam to move so smoothly for your machinima?